9/3/08
The new academic year has begun
The new academic year has begun and, as usual, I’m feeling pretty good about the new semester. One of the many things I love about teaching is the cyclical nature of the experience. It’s a bit like seasonal work: it’s finite and it has a predictable beginning and end. What that means for me is every new semester I feel like I get a clean slate: I get to start fresh and this time I’m going to get it right. I’ll pace my classes perfectly so that everyone feels on track and stimulated; I’ll stay on top of grading and not get behind; I’ll get the students enthused the first work and keep them excited all semester.
I never manage all of those goals, of course, but every September and January hope springs eternal.
This semester, all the classes I’m teaching I’ve taught before. I’ve tweaked and honed each course so that this time, what went awry last time won’t happen again. The books I’ve chosen are better, the syllabus is better organized, the assignments are clearer, my persona in the classroom is more effective.
How long until it all falls apart?
10/2/08
Extreme differences between two classes
Classes have now been meeting long enough to assume recognizable personalities. It’s fascinating to me how two sections of the same course can feel like such different experiences. I teach two sections of a course called “Masterpieces of Literature: Sexualities” back to back on Mondays, Wednesdays, and Fridays. The first class seems wary and reluctant to disclose their thoughts. This week we’ve been discussing Shakespeare’s Othello, and it feels a bit like I’ve kidnapped them and am holding them hostage. They look at me with a mixture of sadness and trauma in their eyes. I feel bad for them because I know wading through Shakespeare’s language is difficult, but I also feel like they’ve already decided there’s no way they’re going to enjoy the experience. I’m afraid my voice has taken on a pleading tone: “come on, guys, this is cool stuff! Really!” Nothing’s more pathetic than a teacher who resorts to pep rally tactics.
I’ve asked them to focus on the play as an exploration of competing “discourses” of femininity. Iago thinks women are untrustworthy harlots, and he constructs a vision of Desdemona that’s animalistic in its predatory carnality, but Othello (with able assists from Cassio and Roderigo) thinks women are paragons of virtue, and he can only see Desdemona as pure, chaste, and angelic. It’s the old Madonna or whore dichotomy, and the students ought to be fascinated, but the “quiet” class seems bored.
The other class is relaxed, casual, and spontaneous. Same reading, but decidedly different results. The students seem less self–conscious, more comfortable as individuals who can speak up and disagree with one another. Not everyone is glued to the discussion of the play, but I see nodding heads and knowing glances as I look around the room. And many of the students are clearly horrified by Othello’s misogyny (as well they should). The play is making an impression.
Why the difference between the two classes? Is it me? Have I projected onto them my own unconscious need to have diametrically opposed classes? Am I living out my own version of dividing the world up based on an inaccurate (and self–fulfilling) dichotomy?
Or is it the unique chemistry of each class? My “talky” class has more “characters” in it, enough students with “big” personalities to provide a critical mass for a “let it all hang out” atmosphere. Would one or two such students in the “quiet” class make the difference and transform it into a chattier group? Do students scope out each class for its “alpha” students and follow their lead? One or two talkative students means the rest of them sit back and remain quiet, but four or five talkative students invites everyone to join in on the fun? I really don’t know.
Don’t get me wrong: I like both classes, and there are excellent students in each one. But the “vibe” is completely different.
This is part of what makes my job so unpredictable and interesting. I sometimes feel like the students have more influence on the class environment than I do. After all, there’s only one of me and twentysomething of them.